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Print Design, Copywriting Client: Jurtona LTD
2025




This project involved the creation of a printed city guide for Jurtona’s short-term rental properties in Paphos, Cyprus. Curated to enhance guest experience and showcase the richness of the area through a practical, design-forward format.

The guide combines essential information (emergency contacts, transport tips, house rules) with carefully written cultural highlights, curated recommendations, and local insights. It was designed to be both functional and collectible, suitable for guests to browse, reference, and even take home.

The tone of voice balances clarity with warmth, speaking to travellers of various backgrounds. Structurally, the guide is modular and scalable, making it easy to update with seasonal editions or monetise through featured listings.  The design prioritises legibility and flow, using considered typography and a soft colour palette to support both aesthetics and readability.

Deliverables included copywriting, layout, print consultation, and production planning - evolving the project into a potential local platform connecting businesses and travellers through beautifully made editorial content.








Packaging Client: Tsangarides Winery
2025






This packaging project for Tsangarides Estate was designed to elevate the visual identity of the winery through its shipping materials. Working closely with the team, I developed a design system that balances traditional heritage with modern elegance.

The illustrations of the estate (already an iconic element of their brand)  were retained and refined to appear prominently on the boxes, emphasizing the winery's deep-rooted legacy. The logotypes alternate between Greek and Latin alphabet versions, to represent both local authenticity and international reach.

Typography hierarchy and minimal colour touches (such as the rich red for "Estate") were selected to stand out against the natural kraft paper, achieving a premium look with sustainable materials. The boxes were designed to be functional, but also visually cohesive with the winery’s wider branding from bottle labels to retail shelf presence.






Branding Client: Kivotos Foundation
2025



Brand design, visual system, guidelines, accessibility, Canva templates, print & social

I developed a light-touch identity system that preserves KIVOTOS’ hand-drawn logo while building a modern, consistent language around it. The colour palette is derived from the mark’s original tones to communicate positivity, warmth, compassion, and integrity. Rounded modules, sun and wave motifs, and a simple icon set create a friendly rhythm across layouts without sacrificing clarity.

The system was designed for a team with little design experience. I built a Canva template kit and a one-page how-to so staff can duplicate, edit, and export quickly. Accessibility was a core requirement: I defined WCAG-aligned contrast rules, safe text/background pairings, and service-based colour coding for instant recognition.

Key deliverables included brand guidelines, a trifold leaflet, stationery, and social templates. The outcome is faster production, clearer communication for families and partners, and a cohesive look across print and digital while keeping the heart of the original logo.




Brand Identity Client: Reuproach Vintage 2023


I developed the visual identity and communication strategy for REUPROACH, a secondhand fashion brand redefining perceptions of value and waste. 

My role covered naming, logo design, and brand voice, as well as creative direction across campaigns, social media, and packaging. 

I managed day-to-day content production: photography, styling, editing, copywriting and maintained a consistent, recognisable presence across platforms. From conceptual storytelling to technical execution, I built a brand that functions across physical and digital touchpoints while staying resourceful and low-budget.



Brand Identity Client: Studio S 2024
 
 
Studio S is a groovy retail concept developed with a strong emphasis on visual rhythm, colour, and modularity. The brand identity is rooted in pairing rigid typographic structure with fluid, abstract forms to create a visual language that feels expressive without compromising clarity.

The branding system was designed to support a wide range of digital and physical applications. Custom vector graphics, type treatments, and colourways were created to adapt seamlessly across product packaging, digital shop assets, social media templates, and internal collateral such as “staff picks” highlights. The design language uses a retro-adjacent palette of orange, pink, yellow, and dark green, with graphic elements that emphasise layered compositions, rounded symmetry, and repeating patterns.

Key deliverables included a modular logomark in multiple lockups, supporting iconography, grid-based layouts for web and print, and digital merchandising assets. Each component was tested in mock product applications mugs, t-shirts, bags to ensure legibility and impact at various scales.

The final identity balances consistency and spontaneity, with a system that’s recognisable yet adaptable to future use.

Tools used: Adobe Illustrator, Photoshop, InDesign.



Brixton Merch Concepts Oditi competition for Sammy Virji 2025
This design was created for Sammy Virji’s Brixton Academy shows as part of a merch design competition hosted by Oditi. 

I created a few concepts and for each handled art direction, illustration, composition, and production prep. 

The work references garage culture and retro typography, using structured visual elements and tactile illustration to maintain a sense of motion and weight. 

Each visual decision was made with wearability and screen-print translation in mind. 2/4 designs shown



Platform Identity & Campaign Support STO5I Collective 2022


Creative Direction, Visual Design, Communications, Content Strategy, Production

As part of the core creative team at STO5I, I contributed to the development and execution of the platform’s visual identity and communications across multiple campaigns and initiatives. My responsibilities included designing core brand assets, building visual systems for both digital and print materials, and developing adaptable frameworks for communications across changing political and cultural landscapes.

I handled creative and editorial work for internal documentation, event promotion, printed matter, social media, and outreach materials. I also supported strategy development for audience engagement and led design production for ongoing projects with local and international collaborators.

The work required a balance between visual clarity, social sensitivity, and quick turnaround across multiple media formats. I often worked independently, managing deadlines, stakeholder feedback, and the implementation of consistent visual direction.